we are very proud to present a doubtingthomas vinyl release on metroline limited! capharnauem is a very trippy affair across 3 tracks, 2 originals from aurelien and a remix from the uber talented romanian producer from arpiar fame, cristi cons. off the grid, the opener, stays within the grid until 3/4 of its lenght. a tight kick leads the way with the help of a pulsating bass and some lush pads in typical doubtingthomas style. the off moment happens after the mid way point when the free jazz element comes in and shuffles the groove off the grid!

tight remix set from the mos camp... tip! after delivering his standout debut full length sketches on mos recordings earlier it the year, aroy dee now gets the remix treatment. the fine talents carefully chosen by aroy dee because their music inspired him, r-a-g, d marc cantu, paul du lac and cliff lothar, revisit three different cuts from his album and serve up compelling results.

chaotic, acidic jack tracks are the order of the day here, dancer aka sidney winters, dropped this obscure bomb on trax in the peak year of 1987. both sides are mixed by the late, great frankie knuckles and have all the trademarks of his touch, tough drum machines, italo inspired melodies and thundering bass-lines. these monster tracks sound absolutely massive and will surely do damage when dropped today.

the utopia project, yet another one of many pseudonyms for legendary producer rheji burrell of burrell brothers fame. all 4 of the files contained within this ep bear the classic hallmarks and sounds of the burrell brothers signature style, taut drum programming, deep, melodic synth washes, bass-lines from the darkest recesses of nycs streets and dance-floors and an instantly recognizable atmosphere. like much of the brothers output these tracks are designed to be heard either very, very late at night or in the early hours of the morning and are some of the defining sounds of new yorks underground night-clubs in the formative parts of the 1990s. a true underground house record, over 20+ years old and still sounding as fresh and current as ever, file 1 is now available again for 2015, re-mastered and re-pressed with the permission of and in conjunction with the burrell brothers / nu-groove records, new york city.

we are happy to welcome maceo plex to drumcode with the fourth instalment of his conjure series, conjure infinity . featuring two tracks conjure dreams and conjure floyd , both are peak time monsters that introduce two very different elements. conjure dreams utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. conjure floyd builds into a more heads down techno vibe with a very interesting breakdown. two sure fire tracks to ignite the floor.

samuel l. session, a techno producer from sweden who founded the labels sls and cycle and now runs the klap klap imprint. apart from that, he has released on drumcode, soma, music man and kms records. in 2007, samuel l session was featured on kms 091 - kevin saunderson’s release – “history elevate 2” with a remix for “pump the move”. now in 2015, samuel l session presents his second artist release on kms records with “the talkbox ep” the talk box ep kicks of with an “original mix” that is a dark, deep & groovy. detroit inspired techno pumper that features a deep bass line with haunting chords. move on next to the “concrete mix” which provides a bit more airy feel. on the b side the soulful groove b1 “birth of blue” featuring elbee bad providing whispering melodic vocal sprinkled on top an ever moving progression that even includes some great horn stabs. rounding out the ep is the b2 “birth of blue” featuring elbee bad & andreas saag, providing a groovy solo-esc piano, riffing throughout this already groovy number

opening the release is title track trudge , a hypnotic mood-driven composition with an ever-blooming feel throughout its nine-minute duration. traumer employs dusty percussive sounds and a weighty kick drum to create the bumpy groove, while warbling bass licks, menacing synth hooks and processed vocals are layered up to create an intricate progressive feel. following is underlying which takes a different route, this time going into deeper realms with floaty pad lines, jangling rhythms and rumbling sub tones, while classic dub techno stabs are thrown into the mix to create a gritty and understated composition.

primary colours welcomes one of the dons of dub, owner of echospace detroit, mr stephen hitchell, aka cv313 to the family. cv313 provides us with his decaying detroit dub. a ten minute journey of synthesis and design, a masterpiece of analog machines and synthesisers in harmony and sequence. deep, lost, layered textures and rhythms build to create a once off, totally unique piece of music that will be enjoyed by the most hardcore of listeners for many years to come. primary colours are proud to present their latest release nyctophilia. australian duo, echo inspectors, return with a track inspired by the darkness of a winters night. cut from the same cloth as eosophobia, nyctophilia continues on with a brooding, deep and erie track. hypnotic sounds flow in and out of one another while a deep bobbling bass and sharp percussive rhythms lock you in. timeless.vinyl only, 180 gramm pressing, red vinyl.

what do people like balihus daniel wang and royksopp have in common? they write nice things like this about our (not so) new talent kid on the block. polosh superproducer maximilian skiba! music from a very good young polish producer, warm chords, funky melodies, think bass and guitars by chic meeting a string section by beethoven, with a touch of italo-disco and almost flamenco-like soul daniel wang he produces very nice italo disco tracks, im a fan royksopp. shanghouse is an instant hit. i would say instant classic if this wasnt so daft and meaningless. if you just heard it 5 times and feel the need to put it on another time. thats shanghouse by max skiba. then theres a great remix by victor rosado and a great slightly diverse prins thomas edit of korsakot another track.

boston bun is back for 2015 with just for freaks, which is part 1 of a series of three eps dedicated to unrestrained underground clubbing. just for freaks 1 stays in the chicago house revival that boston bun established these past 2 years. the right balance between deep and ghetto music. a-side pleasure is a track that you can play very late in the darkest clubs. it drives us with unpitched voices and unleashed tr which succeed to a cut-up bass. b-side levitate flirts with lovely strummed music, almost nostalgic, interrupted by an harmonious and bouncy bassline. the lyric *you wanna play house some more?* sounds like the anthem of a neverending party. the vinyl ep includes a download code.

dj spider & franklin de costa come along with a massive follow-up of their first single on killekill (cat number 016). second bass on the a-side is a bomb of a track with its jazzy beats, otherworldly strings and a bassline straight out of hell. comsume is even more otherworldly with its stumbling, shuffling beat and a spaced-out vocal sample taken from an unnamed sci-fi movies from the 50s. coffee break, the last track of the ep, is a deadlock groove of heavy beats and freaky breaks, that leaves you lost in time and space.

sam binga returns to drop his debut ep for critical music. inviting back the infamous redders for vocal duties, picking up where his trail blazing single ayo and the much loved lef dem from criticals underground sonics lp left off. a deft combination of low slung beats and bass with a nod to the jungle tradition.

the new year starts with a big banger. the italian mastermind behind the famous sonntag morgen records joins forces with the abstract animal zoo and delivers four uncompromising techno tools with that special peak time attitude. the ep starts with the slightly acidic bass line monster marmo and let you come down a bit with the reduced title track dreamers. on the flip side mtd invites you into his personal techno basement, closes the door and let the stormclaps break loose. after that you can feel the broken energy in rituals on b2.

after trawler crossing in 2013, cvbox teams up with long time companion and musical soul mate micha freier for his next record. transparency is cvbox through and through with long meandering bass lines and spacey synth climaxes. techno jams that you can dance to with closed eyes

polluted system is a track suitable for the main room, the energy of the kick and the bass leave no respite from start to finish as a joint of metal percussion and synths fit gradually to fill the sound spectrum of this track. becomes human machine in a few minutes, using acid and industrial sounds, conveys the idea of the change that is happening around us: people are becoming more and more machines, and this is the soundtrack of the mutation. unlocked human, while remaining in acid and mechanical territories, thanks to a groove of more organic toms and hi hat still let the human element glimpse, not yet deleted by the machines, all accompanied by a relentless kick which makes it a perfect tool from the dancefloor . no system, which give the title to the ep, ends this sequence with dreamy and futuristic atmospheres, the ruling part is still a simple but instantly recognizable acid bass, over breakbeat-oriented rhythmics.

freshly dj sneak, limited coloured vinyl edition

after a string of stellar releases with proper trax, cult trip, and mystical disco, grey people graces cgi with his latest. raised in chicago and currently residing in nashville, alex michalski treats us to another side of his sound as he completely forgoes sampling to give us four tracks of raw, stripped-down machine funk. the tunes presented here are culled from various hot and humid sessions in his home studio, armed with an arsenal of equipment old and new and cultivating a sound as diverse as it is nasty. witness the pluralist industrial jackin’ utopia that is grey people—from the crunchy, dissonant piano stomp of *trench foot*, and the equally crunchy, driving, new wave dirge of *moonstruck*, to the cosmic drift and thump of *lock the box* and the funked up fm slap-bass of *wild intentions*.

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

paper disco are back on vinyl ahead of their forthcoming trash the wax vol. 2 and two totally exclusive tracks. leon sweet launches things with sunny bigler that has a moroder style bass and plaintive male vocal designed to make grown men cry on dance floors. italian master blaster shares the same side rocking his trademark edit chops with games whch will only be seeing the light of day on this wax. turn it over and yam who makes an appearance with natasha watts and paper tea boy chris massey on remix duties. its floor heavy 4/4 disco with modern production and dynamics that will slot in to any discerning box. the second exclusive comes from oslo young bucks de fantastiske to who offer up a more house take on disco. gimme sum dim sum has a shuffling backbeat, lush keys and chords to give it an organic garage feel that tips a wink to the best that new york has to offer.

after many uk based producers, its time again for some homeboys. elvis is a young dj and producer from zurich/switzerland and his humney ep is his first full release to date.humney is that catchy house tune with a touch of the 90s house sound, with a great bass line, sexy vocals (from the lovely choklate) and solid beats. the up and coming palace (hot haus records) adds a rougher vibe with his remix, but its still humney. the way is taking a deeper direction and shows that elvis cassetta is definitely a name to watch out for!

limited hand stamped 7 inch, we can t remember the last time we came across a 7- single of straight-up deep house. certainly, it s a novelty, though there s little novel or cheeky about the two tracks showcased on this diddy, coloured vinyl release from spain s minuendo label. 2deepsoul s a-side, -home-, is effortlessly melodious - a warm, rich and enticing blend of shuffling rhythms, swirling chords and the kind of blissfully electronic melodies that make you want to dance with your eyes shut. there s a more organic and quietly soulful feel about owen jay and melchior sultana s flipside effort, -deserted-. blessed with a delicious double bass line, bespoke keys and a whisper of motor city techno (in terms of the electronics, at least), it s a sublime chunk of sensual deepness.

solid stomping galactic techno powered by wide filtered discoid samples is the trademark sound of marieu, and the a side of the fifth settlement of his own label enlightened wax discloses his manipulation talent at its best. 2 funky acidic dancefloor killers with a shrouded hoodian influences. for the b side, he recovered 2 gold dust recordings of the misterious nightjars.two broken bass driven gems of warehouse garage deeply inspired by tempa earliest releases and reminiscents of horsepower productions early works. mnemonic has been played already for more than 2 years by artists such as ben ufo, pariah and blawan before being pressed on wax by marieu.

thirty years later italian records and kirlian camera are happy to re-release edges in a new interpretation by todays singer/frontliner elena alice fossi. the a side of this 21st century vinyl includes remixes by john fryer (depeche mode + nin producer), and starion that combines vocoder vocals, analogue bass and polysynth. on the b side the electronic duo from rotterdam shambok offers a pumping electro mix along with an intense pad accappella version. firat 300 copies come in fullcover

nplgnn creates a less pampered style of body music, stripping away the usual signifiers such as melodies and bass lines to create something more utilitarian, brutal and pure. this is the pre-babel language of dance music - it s cadences are rhythmic and its meaning is comprehensible to all on an innate, primal level. even in its creation it revels in the archeology of electronic music, stringing analogue sounds into hypnotic patterns and subtly evolving loops to create a primordial sludge of acid house and techno.

you can t touch it or see it but yet you feel it and it enchants you. we all understand that feeling of being lost in the music, where nothing else matters except for whats being drummed out the speakers. how do you describe that connection that connection that bonds strangers and causes good people to turn warehouses and underground basements upside, into bass heavy stomping grounds for the merry. get lost in this ep created by boston heavyweight dj/producer will monotone.

bringing you our third release, this solo ep comes from the leeds-based producer david moran. giving you a raw flavour with plenty of punchy bass that will undoubtably destroy any dancefloor. destroy the dancefloor shows a darker, dirty side from david and is an ep that shouldn t be taken lightly.

spatial has always been more exploratory than your average stepper, but with his audiovisual (or opti-sonic as he puts it) project primitives, every aspect of his output blooms outward with android rigour.

neustadtmusik, with great pleasure, presents two excellent new tracks. dietrich & strolch have created an exquisite, smooth piece of music. the two brothers, who are known for their live sets that take their audience on a journey, have combined their passion for percussions and wicked synth sound perfectly. this track takes you to a deep underground techno dance floor where you find yourself dancing with your eyes closed and drifting away into another dimension, to the ocean, the sun and warm sand between your feet and back. sous sol s track on this release has it all, including a sense of delight that brings out a smile on your face. the rolling bass line brings in mind the siberian express rolling through the cold winter landscape of russia while at the same time there is warmth and the heart gets filled with these warm elements. this rolls parallel to a consistent build up throughout the whole track that makes this composition just perfect.

only 1 per customer / max 1 pro kunde
attention: covers are mostly broken on the border , please do not buy if you need a perfect cover
from the moment you hear the first warm pads you know this is going to be an epic journey. not really. here is some more repetitive, machine bass music for djs to play loud & dancers to freak to. featuring vocals from mutado pintado (nyc), paris brightledge (chicago) & dj genesis (detroit)

a couple of years ago, the young italian producer known with the name of shinoby got in touch with parris mitchell and started collaborating with him. in a very short time one of the tracks they wrote together was released along the remaster of -all night long-on wicked bass, and another one he wrote on the juke joints vol. 2 ep on deepmoves. istheway is the name of the label he founded to release the music he has been producing in the shades of verona, focusing on the music itself and not wasting time and efforts on fancy, superfluous stuff. on the first release of the label, his lively and solid dancefloor oriented tracks has been remixed by the analogue cops (restoration records) and the detroiter mgun (underground resistance) who have further modeled an essential combination of late night cuts with their trademark basement edge. vinyl only!

after five years of throwing parties under the name green villain, the label green village was founded in 2014. their second release, come through for me features a single from new york city based dj/producer, policy. following his two recent albums on 100% silk in 2013, and rush hour in 2012, this will be his last release for 2014. the flip features a more dance floor friendly remix by london based, thefft which focuses on predominant percussion and off beat bass stabs.

what $ love is one of romanthony s rarest songs. these original house mixes are one of his most sought after pieces of vinyl with pristine copies selling for upwards of £100. roman did make an r&b version on his glasgow underground album but the house mixes with their low slung dubby organ & bass grooves are the real dj deal with the westside highway mix still in many a list house djs bags.

incl. 10 locked grooves!
continuing a very special and fruitful relationship, catz n dogzs always captivating pets recordings recruits close friend kink for his first ever release on the label.

mortem returns! one of demands keyartists graces us with two brand new cuts midnight analogs and y.o.u. for our 24th release. the young polish drum & bass producer has been busy in the last 1.5 years finishing various production projects and latetly got back into the studio to finish off this stellar single. after the success of his last single bring it down / malfunction in summer 2013, mortem once again proofs that hes a master of basslines. while midnight analogs is a hard hitting dancefloor track with trademark subtile soul vocals, y.o.u. is more of a deeper afair. a track that builds up slowly to turn into a minimal bass roller. naughty!

op.discs highly acclaimed 2013 double pack from radiq aka yoshihiro hanno receives some heavy reworking from three of his label mates, fumiya tanaka, akiko kiyama and aoki takamasa. fumiya tanakas reinterpretation provides an extensive, deep down edition of vida noir and renders the original beats into a minimal bass behemoth of a track that clocks in at almost ten minutes. akiko kiyama shows her peerless talent in her revision of rondo. the beats and pieces are sticking like glue each other to render exotic and mesmerizing aspect of radiqs original. aoki takamasa shows his further involvement into minimalism on his version of calling, channels a micro-house groove into a multilayered beast.

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

special triple pack for all you artreform lovers out there - contains three classic releases
arr004: io (mulen) - criminal stuff
arr009: io (mulen) - criminal stuff (remixes)
arr010: joss & d. lamar - rolling (frank lorber mixes)

vanguard sound follows up on guerilla soul’s self-titled ep with label co-head chris mitchell delivering feng shui flow. feng shui flow is an exploration into deep harmonic textures in the form of three distinct offerings. a1 primordial gravitational waves- as the name suggests, inspired by the possible discovery of gravitational waves believed to be reverberations of the big bang. staccato bass and drums provide the heavy background for a pulsing bass wave, accented by synths and chords conjuring up visions of interplanetary manifestation. b1 eurínome- melancholic and intensely emotive chords and bass layered with intricate drums to paint this impression of the mysterious water goddess. b2 4th density- a synth heavy offering with several layers of bass, string like patches, and a sprinkling of choral sounds driven by a pair of kick drums into a plane of telepathy, harmony and ascension.

marquee production team and live act in dance music benoit & sergio return to culprit for a second fantastic release in as many years. after last years deliciously off­kilter adjustments, the berlin­ and rome­based duo delivers a 3­song statement of dancefloor intent, with thats the party talking.

legworks 2nd single comes from another one of our texas compatriates, the indelible brett johnson, fresh off some amazing work on classic, get physical, rawax and other killer imprints. the mission harks back to some of our favourite dub-techno moments, but keeps its own flare with bretts signature robo-rhythms and chopped and screwed vocal cuts. on the remix tip, its label head lance desardi & convextion bringing their own flavour to the table respectively, with lance stepping to the chord memory, deep bass, and over sampled drums, and convextion going all the way out into hyper space with his usual sub-aquatic space funk.

jordan peak makes a stellar return to the air london imprint this september with the >cause for concern ep<, a three-track collection from the london based producer. the ever on-point jordan peak has been continually delivering striking and versatile material over the past four years, releasing records via some leading labels in underground house and techno, such as tsuba, robsoul, bass culture and one records. here we see jordan return to the air london label, following his its time / hanging by a thread ep on the imprint last year.

deep, electronic music. the hazy, blurred overlap between techno and ambient, the dubby fringes of deep house and melancholy bass music or the closing gap which separates drum and bass from dub-techno, its all within our brightest dark place.

franck s wanderlust is a no-nonsense kinetic house cut with an old-school male vox sublimely worked over bubbly bass, weighty percussion, and resonating intonations. up for remix duty is rouge scoiety label head and uk-house stalwart jordan peak who strips things back to deliver a dark and brooding cut, cultivated over pulsating bass, stabbing synths & shifting percussion. on the b-side alex s microsociety bubbles into life over warm bass, soft pads and whirring intonations to deliver a beautifully basic slow-grooving house cut. meanwhile visionquest & cadenza affiliate cesar merveille punches out a robust re-imagining over rolling bass, subtle tones and fluctuating drums to supply a raw and dynamic techno cut. two superb digital bonuses come from danse club records head honchos brodanse and torino native and carnival records boss marcelo tag to round off the fine six-track ep in style.

together they stir up a tech-funk track which lets the listeners hang on a crazy weird synth-line for a few minutes until the song erupts in a funky bass-heavy tech groove that takes no prisoners!

we re back and this time with a super cool various artist s release, bringing musical variations together from london, berlin, paris and copenhagen. alexi delano is back again on kolon:trax (his first release was big) with another smashing and cool techno track. our man in berlin, oliver deutschmann delivered a jacking acid track, already heavily tested at berghain mainfloor. copenhagen based patrick bateman, here under his new alias broxgaard, sent us an amazing straight up stabs n haunting track (watch out!). finally paris man franck valat gives us bass in his souljahs track!this release is for you, if you like your techno to be played in a dark basement. early support and play by: marcel dettmann, answer code request, joris voorn, slam, the advent, pig & dan, sasha, ilario alicante, jorge savoretti, noah pred, sebastian roya, alessio mereu, deep space helsinki

fvonk is ready to start on an adventure full of housey tunes and positive vibes. for record number 001 drei farben house from berlin lives up to the labels name and delivers three highly funky tracks which draw their inspiration from warm and melodic soul and disco music from back in the days. 70s inspired vocals and bass guitars dominate these pieces and are combined with fluently rolling drums, altogether carrying drei farben house s characteristic thumbprint. the artwork of the record has been concieved by till sperrle who is also known for his graphic design for dial and tenderpark. mastering and lacqeur cut have been realised by stefan betke at scape mastering.

hot creations call upon viva boss steve lawler for their next release, rounding 2014 off with a bang - an amazing year for the leading label. with such a widespread knowledge of music and the industry, here lawler gives us a musical education. house record is a dose of old school 80s house injected with a modern twist with city nights following suit on the b-side. there is no doubt both tracks will dominate the dance floor at peak time, capturing each heart with their infectious bouncing bass-lines, pacey percussions and all round feel good energy. this is proving to be a huge release for hot creations and steve, featuring heavily in jamie, richy, lee and steves sets… this is seriously hot!

bristols facta and hodge are a pair of rising young producers who, more than most, have absorbed the influence of tempas early music and wielded it to create something defiantly their own. hodge has been on a powerful run of form over the last two years, with a string of acclaimed 12 inches for livity sound, idle hands and hotline striking a unique balance between brutalist sub-bass muscle and vortex-like whirls of voice and percussion. factas releases for soundman chronicles and idle hands have been equally striking - dark, hypnotic and dread-filled rollers for the moodiest of dancefloors. you can hear both producers approaches vying for attention on this collaborative 12 inch, and the resulting tension turns the atmosphere electric.

danse club 16th release welcomes greek producer, sek also of ama, morris audio, large. the release kicks off with everybody, a bumping and groove filled slice of deep house that employs a simple bass, a filtered piano chord groove and sparse vocal hits. next up is no matter what, a driving, garage influenced record which is sure to send dance floors crazy. last but not least the b2, sofa king high. a laid back, deep, sleezy house record with distorted chords, smooth bass and addictive vocals.